COOCKING THE NEW PLANET - 2016 / 2017
Commissioned by the Dutch Art Institute (MA Art Praxis @ ArtEZ University of the Arts) as part of DAI Roaming ON/OFF Sonsbeek'16
In 2017 i.c.w. TOK St Petersburg, Alkovi Gallery Helsinki, Finkland
If, as artist Lado Darakhvelidze says, we are all in the process of ‘cooking the new planet’ together, which recipes are we going to use? Revisiting old recipes with new ingredients and new chefs, Darakhvelidze’s newly commissioned work, “Cooking the New Planet” displays leftist historical figures such as Karl Marx and Antonio Gramsci with their ideological descendants, in this case, Slavoj Žižek and Mikhail Bakhtin, generating tongue-in-cheek imagery of the heritage of leftist ideology.
Darakhvelidze’s dramatic red velvet curtains hang behind the glass of the front window of the Dutch Art Institute. He has layered images of recognizable historical icons with what he calls allegories of the media: the [twitter] bird and the fox [of Fox news]. Building on the epochal broadcasts on basic human issues and virtues by artists like Francisco Goya and Diego Velázquez, Darakhvelidze’s work is in line with and inspired by artists and artist groups such as Aleksandr Medvedkin, The Yes Man, Superflex, Petr Pavlensky, and the Critical Art Ensemble. These ‘art broadcasts’ crisscross various fields and territories, including politics, natural sciences, and the economy. In the same way, Darakhvelidze’s images of media logos superimposed on glittery, almost gaudy, sketched human figures, have a rhizomatic appearance connecting today’s media-centric activism, artists, theoreticians, and iconic figures of the past to the viewer and the architectural space. The site specificity of this work becomes more pronounced when considered in light of Pythagoras and the acousmatic teaching technique (where the master teaches behind the curtain in order not to distract his pupils with visual stimulation). With this installation situated at the threshold of DAI, one cannot help but wonder what’s behind the veil.
Photos: Ronny Rozenberg, Ivonne Zijp